- DEVIL'S SKIN - (2022)
Stills from - Devil's Skin, 2022 -
- DESCRIPTION -
Suppressed sexual desire comes in contact with the human nervous-system in the two and a half minute short 'Devil's Skin'. This experimental film was created during a time where my sexual freedom was in its full-bloom. Throughout the short piece, I feature my nude body - posing in various positions, luring in the viewer, and meeting them at their gaze. The use of warm tones, like reds and clay orange filters the scenes in a VHS-styled format. The moon is represented as sexual awakenings - when arousal reaches its peak. I took samples of from a few clips I found online of sounds coming from different planets, and mixed them into the film - creating an eerie track to go along with the movement of my body. Devil's Skin is an experimental piece based on both the anticipation and the aftermath of acting on sexual freedom.
- ARTIMA - (2022)
Stills from - ARTIMA, 2022 -
- DESCRIPTION -
Step into the depths of the artist's psyche in the four-minute long film, 'ARTIMA' - a conceptual art-piece featuring a slowed-version of Brian Eno's "77 Million Paintings". This film was created in just one day, I like to describe it as a performance piece I threw together within a matter of hours. This was free expressionism. I used a couple of items I had in my basement apartment to feature in this piece, like the black head-bust for example - who I've named Lavitika. This was totally in the act of free-styling.
- NIGHTMARE FILM - (2022)
Stills from - Nightmare Film, 2022 -
- DESCRIPTION -
Back in March, I experienced a wildy specific nightmare of my father stalking me within the night. I could not find a way to shake this vision out of the mind’s eye. It became the core of thought in my day to day life since then. I thought about using the traumatic dream in a creative project. I thought that by using my traumas, and turning them into creative work - it would help heal my inner wounds I’ve carried with me for a while now.
Nightmare Film opens with a floating silhouette of myself off the pavement. Anticipating the following scene of switches of tree limbs that were used as punishment growing up if my siblings and I were in trouble. We would get beaten by them, after my parents would pick the leaves off. I wanted to center certain parts of my traumatic upbringing by focusing on these items. Clips of different moon phases are shown to represent the cycles through time.
A silhouette of a face is shown laughing, representing the feeling of being “cursed” as if someone is setting up a plan for one's downfall in life. My father had us study the Quran and use prayer beads together in a circle for a short-period of time. In the film, I use the actual prayer beads he called “Zickel Beads'' as a significant symbol throughout the film.
The Inner-Child scene comes in quickly after I’m seen nude flickering the lights. I stare in shock, facing the right with the prayer beads hanging from my mouth. The following moon-scene speeds up time until I am facing the left as an adult. Facing the opposite direction back at my inner-child in a more mature expression – representing the trauma I have carried into my adult life. The eye of the aspen is quickly shown as a symbol of being watched wherever I go. Turning to a chilling scene of me violently choking myself with the beads still hanging from my mouth. As the scene plays, I’m left facing upward with my eyes closed and the beads still hanging from my mouth. I’m then shown with the beads in my left hand against the wall, trying to hold myself up. Desperately trying to find any form of control over my own beliefs in this life, I then fall back down.
The next scene shows myself shaking with my mouth wide open and the prayer beads on a cushion in front of me. This represents being forced to live a life that was chosen for me. Not having the freedom to think for myself.
Next is a small clip of the shed doors looking out from the inside. In the nightmare, my father peeked in and out through the center to make sure I didn’t take notice. I decided not to portray him in the act because I wanted to show the absence of his being today – only the trauma of him lives in my mind. The scene switches over to a faceless body as the sound of strong winds soar in the background. I wanted to symbolize the deep-rooted feeling of my existence being erased as best as I could understand what it would look like. I remain faceless throughout the rest of the film. The final scene is the backside of my head with my arms reaching up – trying to hold myself up before I am consumed entirely by my father’s threat to erase my being.
- DYING WING - (2024)
- Stills from - Dying Wing, 2024 -
- DESCRIPTION -
Dying Wing is an experimental short-film piece I created for a sound project in January of twenty-four. I used video stills from past adventures I've had during my time here in Colorado, as well as some from my home state of South Carolina. Nature plays a huge role in my work - I believe there is a performance being brought on by nature at all times, we just have to open up our eyes and our minds to really understand it. Dying Wing is an ambient and New Age sound project I created - the name, "Dying Wing", to me - means to be someone or something in this lifetime that is slowly waning out of a photo frame. Life slowly thinning out, becoming frail as time moves on. I look at my past experiences with my upbringing that way. There were many moments in my life where I felt completely drained by either the people in it, or environments that I kept myself in for some time.
- FOLLOW THE SUN - (2024)
- Stills from - Follow the Sun, 2024 -
- DESCRIPTION -
Follow the Sun is a psychedelic dreamscape that holds many memories of my past, and is one of the leading singles off of my fifth self-produced album Pneuma-Nexus - a tribute album to the late pioneer of New Age music, Iasos. Most of my visual film-work uses a great deal of layering of footage, and that comes from many of my personal experiences of using psychedelic medicine. Throughout this film, you have the center-eyed view of two suns - one above, and one below, mirroring each other. The original sun footage was taken at a special beach on the southern east coast in South Carolina called Sullivans Island. The image of this specific sunset sticks with me, as it was the last time I visited the island before completing this film. I believe that this sunset is the foundation of the ongoing memories following those moments, and it provides hope and comfort for when following hardship is to come.
- ANGELS OF DAWN - (2024)
- Stills from - Angels of Dawn, 2024 -
- DESCRIPTION -
Angels of Dawn is the hearts artery of my fifth self-produced album Pneuma-Nexus - a tribute album to the late pioneer of New Age music, Iasos. I decided going into the creation of this album and film, that I would capture something close enough of a project that could both sound and visualize a piece that Iasos and I would've planned together. Angels of Dawn is our celestial body of physical work. Trees have always been my mentors throughout my human experience, and I believe that they are timeless angels rooted into the grounds of this Earth. Trees holds a countless amount of different stories. I spent plenty of time in sitting meditation alongside these trees who I call my friends - and have always listened to what they've provided to me, energetically and spiritually. Looking closely at the mirrored footage of these beings during the watching of this film - you can make out silhouettes of what I call the Angels. In the last few scenes of this film, I am dressed in the human form of these angels who have visited me throughout time - sending messages and guidance, re-grounding my feet so that I know my place in this life.
The human Angel scenes were recorded at the Rocky Mountain Arsenal National Wildlife Refuge, in Colorado.
- MAY NINTH - (2024)
- Stills from - May Ninth, 2024 -
- DESCRIPTION -
May Ninth is the first single to come off of my sixth studio album "vVv" - A reverie of memories created over a decade of the closest family I know.
- ENLUDE EU - (COMING SOON)
- Stills from - ENLUDE EU, 2024 -
- DESCRIPTION -
ENLUDE EU takes you on an almost animated journey starting with a visitation through an abstract universe of the abduction of a home, to a psychological break of movement and dance, featuring drag artist mX nX.
- GOLD DUST -
- Stills from - GOLD DUST DOCUMENTARY -
- DESCRIPTION -
An intimate and home-movie style documentary following the iconic drag artist mX nX: The non-binary Stevie Nicks of Denver, Colorado.
